Extreme's first album in thirteen years doesn't just mark the band's hotly anticipated return to the studio and stage. Saudades de Rock (pronounced "sow-dodge") is a groundbreaking record that reaffirms the beloved, Boston-bred foursome's stature as innovators in the world of rock & roll.
Fostered by the same unwavering songcraft and diverse musical approaches that first earned the band - vocalist Gary Cherone, guitarist Nuno Bettencourt, bassist Pat Badger and new drummer Kevin Figueiredo - multi-platinum albums with chart topping hits and sold-out tours the globe over, Extreme's fifth studio offering just may be its finest hour yet.
"A record is what makes a band vital," says Bettencourt, who recorded Extreme's comeback disc at NRG Studios in Los Angeles and served as the project's producer and mixer. "For the fans, it's like, â€˜Show me if you still got it.' And we've done that. I really think this is the best record we've ever done."
Boasting badass, groove-laden, swaggering numbers ("King Of The Ladies"), raw funk metal ("Learn To Love"), expressive ballads ("Interface") and soulful, piano steered winners ("Ghost"), the raw, organic Saudades de Rock is the next logical step in a catalog that's as ambitious and expressive as it is thought provoking.
Anchored by the amazingly memorable "Star" where Cherone's vocals launch the forceful song before giving way to a brilliant hook and a topical observation of starlets falling from grace. Elsewhere, the anthemic rocker "King" is similarly lighthearted, as its mojo works a chorus that just won't quit. "It's one of those songs made for driving around with the top down," Bettencourt asserts.
If the arc of Extreme seems surprisingly in synch, considering the large decade-plus gap between records, it's because Bettencourt and Cherone kept in touch during the years when the band was dormant. Then, in 2004, a series of hometown reunion gigs planted the seed for what has ultimately become the outfit's official regrouping. When the pair came together to pen the tunes that would comprise Saudades de Rock in late 2007, the creative floodgates were open. Says Nuno, "The chemistry was there from day one, as we suspected it would be."
To which Cherone marvels, "I've spent my whole life trying to keep up with Nuno. There was actually too much material! We were doing a song or two a day, and we wound up with 23 or 24 songs in a two week writing session."
"We knew within an hour of Gary and I getting back together to write, that we still had something relevant to offer," Bettencourt continues. "And while there are great bands out there, from Muse to the Raconteurs, we felt like there was a void as far as straight up rock and roll goes."
Consider that hole filled by the blistering, Zeppelin-minded riffs and powerful rhythms that that elevate "Slide" into a raw rock opus. Less bombastic, but equally scorching is the passionate, blues-y "Last Hour," which Nuno describes musically as "something you'd hear in the 1960s. It reminds me of "House of the Rising Sun, but heavier." Bettencourt also calls the latter "Gary's shining moment," insisting, "he's reached the mountain vocally." Meanwhile, the two piano-steered numbers, the important, Lennon-minded "Peace" and the aforementioned atmospheric "Ghost," exhibit Extreme's broad stylistic abilities.
And for those still pining for the approach of Extreme's chart smashes, "More Than Words" and "Hole Hearted," where Cherone and Bettencourt harmonized with such effortless grace, look no further than "Interface," which celebrates that proven formula while arguably trumping it.
Based on the enthusiasm of the rock aficionados and diehard fans that have followed the band since its self-titled debut, Extreme's 2008 â€˜Take Us Alive' world tour is destined for success and will bring the band to an exclusive gig in Europe at Milan's Rock of Ages festival on September 13th. Showcasing material from the majestic new album and classics from discs like 1990's multi-platinum, Pornograffitti, not to mention 1992's critically acclaimed III Sides to Every Story, the members of Extreme are thrilled to be heading out on the road. Saudades de Rock finds the men of Extreme excited to be back together and playing to their collective strengths. And clearly, the accomplishment is not lost on them. "It didn't take long for us to be reminded of what we were capable of," Cherone enthuses. "We always knew Extreme was special. We always knew it was a matter of time." It's a sentiment that carries over to the title of Extreme's phenomenal new disc. "'Saudades' was always a beautiful word to me," Nuno explains. "It expresses a longing; an underlying sadness for something or someone that's been missing in your life, and never quite sure if it will ever return. In this case, for us, it's Rock and Roll. Saudades de Rock."
Or as Gary concludes, "I like how it expresses that longing we've been feeling to play for our fans and be together again." Amen.