Every rock band needs a self titled album – The kind of album that really does the band’s name justice –The kind of album that shows both old and new fans what the band and their music is really all about – The kind of album that is the essence of the band and their sound and the kind of album that is the total sum of years of experience from playing, recording, writing songs and touring. This is that album for Sweden’s Crazy Lixx.
“We were discussing possible titles for the album and we didn’t really feel like any of the suggestions were quite right. Then I came up with the idea of a making it a self titled album and we all agreed this was the right time for one. You know, bearing the very name of the band, a self-titled album does have a lot to live up to, but we all felt that this album has what it takes to represent the band as a whole, both in terms of the songs, the sound and the performance.” - says lead singer and producer Danny Rexon.
With their fourth release, Crazy Lixx have grown as a band and perfected their personal sound into 11 anthemic rock songs that will satisfy both the hard core Lixx fans as well as fans of melodic hard rock and hair metal in general. By combining the strategies of recording and producing the album themselves along with utilizing the mixing qualities of the great Chris Laney, the sound of the album has once again returned to the bombastic sound of Crazy Lixx’ earlier work while at the same time adding the improved song-writing and playing qualities of today’s Crazy Lixx.
“We’ve learned a lot through the years, especially when it comes to the recording process and we’ve put all that knowledge and experience to use on this album. We used many different studio settings to record different parts of the album and didn’t rush the recording but made sure everything was as good as it could get. At the same time we didn’t want to be too nitpicking with details, I mean we’re still in the business of rock n’ roll, right?” – adds guitarist and co-producer of the album Andy Zata (formerly Dawson)
In addition to returning to the old Crazy Lixx sound the band has also re-recorded fan favorite “Heroes are Forever” which was originally on the band’s first, now out of print album. “It’s this one song, that was our first single back in around 2006, that we’ve played on almost every live show we’ve done since then, but when we started to think about it, it was a song that a lot of our fans had no chance of ever listening to. The first album, ‘Loud Minority’, which was released on a minor independent label, was only released in a limited printing which has long since sold out, and it isn’t available digitally either. Still we felt that the track was one of those songs that had a really fundamental Crazy Lixx vibe to it, so we decided to record it again and give the fans a nice treat. If you ask me, it came out way better this second time around.” – says drummer Joél Cirera
With the addition of bassist Jens Sjöholm and the return of original drummer Joél Cirera, Crazy Lixx Mk III has been proven to be the best constellation to date, both in concert and on a recording. “I think the fans will really enjoy what we’ve got in store for them with this album. Killer songs, great sound and memorable hooks combined with a bit of the twin guitar action and riff-based approach that we added to the sound on our last album.” – says guitarist Edd Liam. Newest and youngest member, bassist Jens Sjöholm adds: “Being my first album release with Crazy Lixx I don’t really have any special expectations, but hearing the final result and seeing how fired up the guys are about it makes me look forward to seeing the reactions of the fans and media.”
“It’s really a bit of a do or die, no guts, no glory situation – after all, you only get one chance to do a self titled album, so make sure you do it good.” – concludes Danny Rexon
DANNY REXON Vocals, JOÈL CIRERA Drums, ANDY ZATA Guitar & B.Vocals, JENS SJOHOLM Bass, EDD LIAM Guitar & B.Vocals
MATS LEVÉN (Backing vocals on tracks 1, 2, 4, 6, 8, 9 and 11), TÅVE WANNING (Backing vocals on tracks 4 and 5)